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HAIR RAISING IDEAS
By bridechic · October 28, 2009 · 0 Comments · 4 Views
Sunday, September 27, 2009
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MOM DRESSING
By bridechic · September 20, 2009 · 0 Comments · 13 Views
Sunday, September 20, 2009
There used to be a perscibed look for bride and groom Moms. Check out any movie like Father of the Bride (1950 version) and you'll find a well turned out but premature, over-the-hill ensemble on a still going strong beauty like Myrna Loy. Traditions die hard. A new generation of Moms known for questioning tradition are finally stepping out of the accepted standard and going for looks like this emerald gem if it's flattering. Kudos to them!
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FALL CHIC
By bridechic · September 20, 2009 · 0 Comments · 12 Views
September 19, 2009
Check out this combo of copper, gold & latte. Made up by The Perfect Pallette it's just right for Fall. This time of year has so much to do with vineyards, farms and cozy get togethers. A wedding in these harvest months brings change; not only does the light become more ochre but bouquets are a little more rustic in both color and texture.
click to enlarge
top row: fall favors, bridesmaids dress, favors, hairstyle,
middle row: boutineers, cinnamon, kiss, candles, invite,
bottom row: barn, bouquet, sacks of apples, fall bride.
middle row: boutineers, cinnamon, kiss, candles, invite,
bottom row: barn, bouquet, sacks of apples, fall bride.
Check out this combo of copper, gold & latte. Made up by The Perfect Pallette it's just right for Fall. This time of year has so much to do with vineyards, farms and cozy get togethers. A wedding in these harvest months brings change; not only does the light become more ochre but bouquets are a little more rustic in both color and texture.
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LACE: NEW SPINS ON AN OLD TRADITION
By bridechic · September 20, 2009 · 0 Comments · 8 Views
Friday, September 18, 2009
Max ChaoulLace as we know it evokes images of woven florals and scalloped edges on flounced skirts and collars. Though these time-honored looks will always be with us, lately we're seeing new spins on the use of lace in bridal wear. Not only are the traditionals like Alencon and Chantilly now used in cutting edge ways, new inventions in knit and revivals in cotton and crocheted laces are showing up. Some of it is being used discreetly on no more than a sleeve or yoke while the high drama of donning all over lace from collar to hemline is chic as well.
Rosa Clara
Stephanie Allin
Cunningham
Neil
Luisa BeccariaColored laces in designer collections range from the palest cream to dark ecru and pastels. I've even spotted some water-colored peau d'ange laces in a custom collection.
Here are some gowns—all lacy in some way-- that combine aspects from the finest eras styled with the contemporary bride in mind.
Colette DinniganAbove and below are gowns in knit and cotton laces, definitely a new spin to traditional. For the eco-conscious bride, most could easily be reworn post-wedding.
Manuel Mota
Above and below: What could be more practical than these romantic looking separates?
Elspeth Gibson
Elspeth Gibson
Don't you just love them? I found these little bit modern, little bit romantic Roberto Cavalli lace boots in Spanish Vogue
Photo: ejones photography/All Rights Reserved
Above:: Chantilly lace bodice and organza shawl with border
The history of lace making deserves an entire book or docudrama in itself and the art of making it goes back in time further than some fabric weaving. Knotting techniques actually trace back to basket making. As lace making evolved into an art form, so did demand for it.
Like fabric has a weave, lace has different patterns. Here are a few of the most common:
Alencon-Floral patterns on mesh or net background outlined in cording. Has a three-dimensional look.
Chantilly-Floral or foliage designs on a net background. Generally has a scalloped edge.
Cluny-Crocheted lace in heavy cotton also known as Irish lace. Chic in the swinging 1960s for mini wedding dresses and granny gowns.
Eyelet-Actually a woven cotton with eyelet cutouts and embroidery.
Peau d'Ange-Delicate version of Chantilly lace made with a flossier yarn.
Schiffli-Embroidered design on a mesh or organza background. Typically has a scalloped border.
Venice-Heavy lace with raised designs. Usually a single motif with an open background.
Gown by Amy-jo Tatum
Above Left: Allover Chantilly lace wedding dress.
Chantilly lace with scalloped edge
Above: Peau d'Ange lace. A delicate version of Chantilly
Eyelet bodice detail: eyelets and embroidery
Full view of eyelet dress
Gowns by Amy-Jo Tatum
Above: Peau d'Ange lace. A delicate version of ChantillyEyelet bodice detail: eyelets and embroidery
Full view of eyelet dress
Gowns by Amy-Jo Tatum
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THE GRACE KELLY FACTOR: GETTING THE LOOK
By bridechic · September 17, 2009 · 0 Comments · 94 Views
Thursday, September 17, 2009
"Throughout both her careers, Grace had one attribute--class"
--Jimmy Stewart--
In Judith Baliban Quine's book, The Bridesmaids, she writes, "Had you been there as I was you might have realized that day, like the bride-to-be herself, was a creation brought to us through the joint production efforts of enormous willpower, Metro-Goldwin-Mayer and God." Quine goes on to say MGM was actually a late arrival on the scene as most everything that came to Grace, despite her Mainline Philadelphia birth and refined beauty, was won only through time and dedication to her work.
April 19, 1956, the world was treated to a storybook romance come true when actress Grace Kelly married Prince Rainer of Monaco. Thinking back to roles she played before she became a princess, we remember Grace Kelly as the ultimate 'Deb'. Had she not pursued acting with such determination, in all probability she would have become just that : A Mainline Philadelphia Debutante. As a result, on film she reflected that cool, refined blond to perfection.Princess Grace's gown to this day is one of the most traditional and remains the touchstone in bridal fashion. Impeccably made, the taffeta and Val lace confection was a wedding gift from MGM Studios. Imagine this: 25 yards of silk taffeta, 100 yards of silk net, and vintage Belgian rose point lace. Her headpiece was classic : a bandeau cap covered in tiny seed pearls under an intricate lace mantilla.Designed by Helen Rose who worked on Kelly's costumes for High Society and The Swan, the gown was designed and run up in less than four months if you can believe that. Hollywood by then was ace at whipping up a masterpiece if a movie or event demanded. Over thirty seamstresses labored on the gown in the MGM workrooms round the clock. From a designer's standpoint, I'd have to say the Kelly gown is the most perfect dress ever made, despite it's speedy construction time. Made up of four different components, it's actually a combination of separates all put together to look like a traditional ballgown. Studying the construction diagrams with the fitted, long-sleeved bodice and full bell skirt, this gown though cutting edge back in 1956, will always be timeless.
Getting the LookGrace's trademark for looking chic was always simplicity. Never overdone, typically she wore clean and minimal make up accentuating her Patrician beauty. Add to that pulled back hair and a classic strapless gown for evening like the image above and you have her look. Though her actual wedding gown was traditional, she could have gone with an A-line or sheath with either strapless bateau or V-neck, and still been totally In-the-Grace character mode. The good news is, A-lines look great on just about everyone and just about everyone feels like Grace Kelly in them, ie; symbolizing class and refinement. Add any fabric that has understated elegance like traditional duchesse satin and peau de soie.
Consider adding some options to your look. A shrug or bolero can cover you up for the ceremony and be removed for reception. Want another variation of that 1950s look? How about an opaque removable top in organza or lace? This too can be removed come reception time. If you're in a sheath, A-line or evening gown add a wrap or coat either in matching fabric or, for those fall/winter weddings, in peau de soie or brocade.
If you love Grace's gown and want to incorporate components in your own, start by studying the original creation. The Vogue pattern below closely emulates this design. Luckily today's bride can be more daring. Though Grace was the epitome of a refined lady in her day, she worked in a glitzy industry. Marrying a prince, she wanted to reassure the Monegasques she wasn't just another movie star blond in sequins. Setting the tone for her reign, she chose the most classic of all designs. Contemporary brides might want to experiment with a different neckline or modified skirt. Here's another idea. Grace's bodice was actually a blouse. You could experiment with a shrug or jacket over a strapless gown.
source
Romona Keveza's rendition on the ballgown Grace Kelly wore at her 'Wedding Eve' celebration.
Always a lady, Grace's signature pieces were a pair of gloves and a hat much like the one shown here. Only the shoes are a bit off. Grace is remembered for her elegance but ironically she had somewhat stogey personal taste when it came to foot chic. Unless, that is, MGM was dressing her. Then she had the best . . .
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CHECK OUT WELL WED
By bridechic · September 17, 2009 · 0 Comments · 12 Views
Wednesday, September 16, 2009
Patricia Kanzos Photography
Are you a bride residing on the Eastern Seaboard perchance? If you are check out Well Wed, a magazine offering a look at local wedding resources. Packed with inspiration. Vermont Vows and the three WellWed magazines connect you with the most celebrated wedding professionals and wedding locations on the East Coast. From the Cape and Vineyard to The Hamptons, The Adirondacks, and Vermont, they offer the "insider" knowledge you need to find your way and create that destination wedding of your dreams . . .
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THE AFTER LIFE OF YOUR GOWN: ALTERNATIVES TO STORING IT IN THE BOX
By bridechic · September 17, 2009 · 0 Comments · 8 Views
Tuesday, September 15, 2009
One of my clients recently asked, 'What do I do with my gown once the wedding is over?"I suggested she might display the gown in her living room or bedroom on a dress form. I was glad she liked the idea because it roused the spark in me to develop an ongoing series about that, 'What's next?' question all you brides are asking.
Okay, so, let's start with the display idea. Display is actually one way of storing a gown as a soft furnishing that everyone sees. If you have room in your home and are open to a new and unique way of creating a decorating statement, go for it. Displaying your gown on dress form makes for great conversation when folks come over to visit. It also looks pretty. These photos display different ways of arranging a dress form as well as giving you other display ideas. Take into mind these come out of French Nest, a trendy design/antique store here in San Anselmo. The two women who put these displays up are tops in their field and I'm constantly learning from them.
If you have an interesting or antique pair of shoes and don't plan on wearing them anytime soon try this . . .
Not just your bridal jewelry can go on this kind of display.
A fine example of separates dressing (and display). This bodice is actually a Chantilly lace blouse worn over a strapless gown. Can you imagine this stunner New Years Eve over a cami with a black velvet skirt?
This eyelet dress can work well as reusable bridal attire.Because my clients have been looking for more options on recycling their gowns post wedding, donating or incorporating it into everyday wear is becoming more the eco-conscious thing than storing it in a box. Keep in mind you do have the option of choosing a design you can re-wear. Working your gown into your wardrobe can mean planning separates, elements that can be customized and transformed as double duty pieces. Maybe you’re into cotton and linen. A cotton eyelet dress or linen suit can work well as reusable bridal attire. If you’re drawn to simpler silhouettes in functional fabrics like wool and silk jersey this works too. Knowing how to work a veil with some opera length gloves and the right shoes can really pull a simple dress into a ‘bridal look’. Consequently, the more practical you are, (as opposed to sentimental) the more likely you are to re-wear your gown.
Working your gown into your wardrobe can mean planning separates. This is actually a tulle skirt paired with a white jersey tank topphoto by jellyandtoast
Bassinets in particular intrigue me, they keep the gown sentiment going as a story told through laces and silk. The bulk of the skirt wraps around the bassinet and your veil hangs as a head draping. If you wore a tiara you’ve created a real fairy tale. I’ve actually known brides who have fashioned table runners out of galloons of lace removed from hemlines; others lined shelves in china cabinets with smaller pieces. And don’t laugh. The skirts of some gowns have made some of the most gorgeous tablecloths I’ve ever seen.. Last season a client brought me an exquisite antique tablecloth and asked me to fashion her wedding gown out of it. I was awestruck. First by the cloth. It was an allover and rare Cluny Lace. Ten years ago this would have been considered by most as ‘chintzing it’ on your wedding day whereas these days it is not only applauded but even considered a sentimental gesture—in my client’s case—the tablecloth was lovingly left to her by her great-grandmother.
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STALKING THE LOOK BOOKS: ISABEL ZAPARDIEZ
By bridechic · September 17, 2009 · 0 Comments · 7 Views
Monday, September 14, 2009
True to classic style, Basque designer Isabel Zapardiez gave a lesson in good taste on the Madrid Catwalk . 1940s inspired silhouettes became the perfect alloy to wrap the female form in the of air of vintage chic. These fine gauze draped dresses twisted around the waist and sculpt the figure. Check out her use of leather and lace combos. Juxtaposed yet chic . . .
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GALA CHIC: OPENING NIGHT AT THE SAN FRANCISCO OPERA
By bridechic · September 13, 2009 · 0 Comments · 37 Views
Amber Marie Bently shows off her dress by Skin Graft
Tony and Sandra Go attend the San Francisco Opera Gala Opening night of the opera in San Francisco has a time-honored tradition for 'Puttin' on the Ritz'. Right up there with Cannes but maybe not as renowned , opening night SF carries remnants of old guard charm and major fashion blitz all at once. Rock stars to royalty fly in from all over the world to attend. Friday, September 11, a gala party kicked off the 2009 season before opera goers attended a performance of Il Trovatore. You'll notice many bridal designers featured here . . . all those gowns we know and love simply switch to technicolor when they come out on nights like this . . .
Guy chic. White Tie/Black Tie
Inside City Hall, guests mingle before sitting down for dinner during opening night.
The Promenade: Guests walk into the War Memorial Opera House during the opening night of the San Francisco Opera on September 11, 2009.
Jennifer Siebel Newsom shows off her dress during the Opera Gala
Mayor Gavin Newsom and wife Jennifer
Deepa Pakianathan wears a dress designed by Naeem Khan
Angelique Griepp wears dress by Oscar de la Renta
Leslie Simpson wears a dress designed by Angel Sanchez
Karen Caldwell wears a dress designed by Lily Samii Special thanks to Amber Marie Bently and Sandra Go for raising the bar on fashion and daring to go bold this season. A little beyond the fashion curve, for me Bentley's particular edge was the most comfortable seat in the house this opening night. Somewhere between underground and the most quintessential form of couture, she was in that amazing dress by the LA based design house Skin Graft . I'm hoping her gray asymmetrically tiered stunner will open doors to a whole new way of dressing
for gala nights.
for gala nights.
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HAPPY ANNIVERSARY JACKIE AND JACK
By bridechic · September 12, 2009 · 0 Comments · 29 Views
One of the most iconic women of all time, Jacqueline Bouvier Kennedy possessed grace and style, leaving her indelible stamp on fashion. Her wedding to Senator John F. Kennedy in 1953 was dubbed the Wedding of the Century. Oddly, the gown she wanted would have been simpler and of less fabric, most probably created in Paris. Joseph P. Kennedy's machinations in the way of wedding arrangements along with her mother Janet's, Jackie had neither the dress nor quiet celebration of her choice. Janet's dressmaker, Ann Lowe, was engaged to make Jackie's bridal gown as well as all in the bridal party. Lowe was a very talented African-American designer known for grand entrance gowns detailed with intricate tuck, pleat and trapunto treatments. Amongst her clients were Rockerfellers and Vanderbuilts. Did Lowe suspect Jackie's would be one of the most celebrated gowns in history? We know she probably did expect some publicity. But what would have resulted in $700.00 profit was gone a week before the wedding. Water pipes in Lowe's New York City shop broke and damaged ten out of the sixteen gowns. After buying new fabric, she and her staff burned the midnight oil to finish the gowns on time for the Bouvier/Kennedy Wedding. She lost $2,000.00 in the process
Studying Jackie's dress, for it's day it is not as typical 1950s as some experts have claimed. While off the shoulder gowns were a hot trend circa '53, you didn't find them in too many church ceremonies--especially Catholic ones officiated by an Archbishop. The dress does have some elements harking back to early Victoriana. There were 50 yards of silk taffeta, with a very full circular skirt tucked and pleated (Lowe's specialty). On Jackie's head was her grandmother's rose point lace veil hanging from a circular lace cap festooned with orange blossoms. She pulled her look together with short, white kid gloves (Oh so Jackie).
Jack and Jackie were about as different as two people could be. Yet, together they made a complimentary team as both possessed a high and cultivated intellect. The ommph JFK and Jackie brought to The White House has only been topped by our most recent pres and First Lady. Tagged with: mobile
WHITE IS CHIC
By bridechic · September 11, 2009 · 0 Comments · 12 Views
CLICK TO ENLARGE
This gorgeous display of white comes from EAD and was posted by Elizabeth herself. It says purity as well as simplicity all over. Lots of kudos on this one!
Clockwise from top left: Rosa Clara via nie fiu fiu i nie kiczowato, Aaron Delesie via The Bride’s Cafe, Bellissima Vita, Jenna Hein, Jane Jordan, Rosenow Floral via Brooklyn Bride, Unknown Source (please message if yours), Kimberley Seldon via Desire to Inspire, Whiteport via Perfect Bound
Loving the kind of vintage-mod feel of this one!
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MORE ON TOPPING IT OFF
By bridechic · September 10, 2009 · 0 Comments · 7 Views
I know I'm saturating all my good and patient readers with a high dosage of head chic lately but just wanted to share a couple more stunners my client emailed me last week. She's gathering ideas for her headpiece and I was surprised I hadn't stumbled across some of her finds in my travels around the blogsphere. This piece is 3-4 inch horsehair embellished with feathers, giving a real haute couture touch to your ensemble. Its versatile enough to work with tailored looks like the gown pictured here as well as a more classic and/or romantic gown . . .
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J. CREW AND YOUR BRIDESMAIDS
By bridechic · September 7, 2009 · 0 Comments · 25 Views
Steer your maids this direction and they'll love you for it. J. Crew is always right on with the most flattering lines and styles. Each dress here complete with accessories runs under $300.00.
Crystal thornbush earrings
$75.00 item 19519
Fitted and floaty in lightweight silk chiffon with a delicate crinkled texture. Sleeveless silhouette. Fitted bodice with knot detail at center, A-line skirt. On-seam pockets. Back zip. Fully lined. Falls to knee. Import. Dry clean. Catalog/jcrew.com only.
Crystal thornbush earrings$75.00 item 19519
Inspired by the grandeur of 60's Czech glass pieces, our designer crafted this dramatic statement earring—streamlined with bold glass stones in open-set castings for maximum luminosity. dark gold ox-plated, hand-casted brass. Omega clips with surgical steel posts. Import. Length: 2 3/4".
A very graceful party dress in midweight silk tricotine, a fabric we chose for its subtle lustre and lovely drape. This dress features a flattering cowlneck with an A-line skirt that falls to the knee. Sleeveless. Side zip. Fully lined. Import. Dry clean. Catalog/jcrew.com only.
Antique gold manor bracelet
$68.00 item 19501
A stunning bracelet with lots of fullness and movement—thanks to dozens of dangly, various-size resin beads (each hand painted in metallic hues to evoke an antique glass effect). 12K shiny, textured gold-plated double oval ring brass chain. Signature spring clasp closure. Import. Length: 7 1/2".
Duchess stone bracelet
A great statement bracelet (we love it layered, too). Chunky hand-cut square glass stones—each hand-set in a four-prong setting— hand assembled on a dark gold ox-plated, hand-casted brass chain. Signature spring clasp closure. Import. Length: 7 1/2".
Antique gold manor bracelet
$68.00 item 19501
A stunning bracelet with lots of fullness and movement—thanks to dozens of dangly, various-size resin beads (each hand painted in metallic hues to evoke an antique glass effect). 12K shiny, textured gold-plated double oval ring brass chain. Signature spring clasp closure. Import. Length: 7 1/2".
Duchess stone bracelet
A great statement bracelet (we love it layered, too). Chunky hand-cut square glass stones—each hand-set in a four-prong setting— hand assembled on a dark gold ox-plated, hand-casted brass chain. Signature spring clasp closure. Import. Length: 7 1/2".
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FALL HAIR PREVIEW
By bridechic · September 1, 2009 · 0 Comments · 17 Views
photo by digital She/ Sweet Light Studios A few ideas here to get you excited about Fall hair. Chic and dramatic, all the make up and hair styling here was were done by the very talented Bay Area artist, Christal Saville. Christal is one of Northern California's primo Makeup artists and Hair stylists choice for agencies such as Look, Stars, Ford, and JE Models. Christal enjoys doing weddings as much as she does editorials. Her most recent work deals with being a professional makeup instructor at the Makeup Institute of San Francisco, CA. Her specialties are bridal, photography and air-brush makeup. She's traveled and taught state-of-the-art makeup application at Hair and Skin Conventions across the country.
Len Cook 
Laura Tillinghast Photo (Photographer)
Artistry By Christal (Makeup Artist)
Milz (Model)
An editorial on Christal's work along with the best of my headpieces is on the Fashion Watch Bridal Editorial coming soon to my sidebar. Here's a sneek peek.
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TRAVELING WITH YOUR WEDDING GOWN
By bridechic · August 12, 2009 · 0 Comments · 3 Views
Wednesday, August 12, 2009
The gown and you in it are central to your wedding day. Getting not only your gown but yourself and all your accessories from one point to another is something you need to think about whether you're navigating across town or half way around the world. Things might go a little easier if you've invested in a dress made out of microfibers (yes silk can be microfiber); you'll have little worry about it wrinkling. In most cases your dress will consist of delicate silk with legnth and volume (many underslips and linings) that need to be kept intact.
By Car
Getting your gown home safely from the shop is the first step. You’re going to have to treat it with all the love and care of a newborn. No, you won’t need an infant seat but just about any size back seat of a car will do. In all probability once delivered, your gown will be packed in plastic, the bodice stuffed with tissue. Hang it on the hook above the back door draped across the back seat. This applies if you're going on a two block or two thousand mile trip.
AIR TRAVEL- With so many destination weddings these days, salons and stores have special procedures preparing your gown for not only that car trip home but air travel. You need to decide whether or not you're checking your gown as baggage or carrying it on board the plane. Either way there are pluses and minuses. Once upon a time carry on was a given. No matter how BIG your gown--and some gowns run very big-- the stewardesses found a way to look after it. Since then the friendly skies have become so heavily booked, unless you travel first class, space is going to be tight. If your gown isn't too poufy and more of a sheath than ball gown, the overhead bin will work. Take into mind this a good-to-go situation only if there's no other baggage crushing your gown.
To avoid hassles during check in, be certain beforehand the box or bag holding your gown is an approved size. Yes, some airplanes don't have additional room for oversized carry-on pieces so make arrangements with them before purchasing your ticket. Some airlines allow the cabin coat closets in first-class to be used for bridal gowns even if you're flying coach. However, doing my research I found some airlines are better than others on this. Again, MAKE ARRANGEMENTS BEFOREHAND!
CHECK IN
You've met folks who never check in luggage; they're afraid once they land in Boston their bags will turn up in Cleveland. Well, imagine asking a bride to check her gown as baggage. If you're brave enough to consider it, think of little old me, a fashion desgner who must fly with five gowns at a time, that, by the way, just like your gown, need to arrive in New York in pristine condition (otherwise they don't sell). I have no choice but to check them as baggage so here's what I do. Since I'm a pro I know how to pack them. Your store can do this for you. All you need do is decide on whether you want to pack the gown in a box (salon's job but you can do it) or suitcase (your job).
I've done both.
Box
Use a large box, about one-third the length of the front of your gown.Line the box with tissue and lay the gown over it. Your gown should be centered in the box and laid face down, spread flat out. This way you can avoid any wrinkles or creases from forming.
Now, start with the side seams and fold your skirt length-wise all the way over the tissue. Your skirt should not exceed the width of the box.
This is when you add more tissue and fold the top of the gown over into the box.
The top of the gown (bodice) will be facing up. Now use more tissue and pack the bodice, cushioning anything else (florals, bows, belts, sleeves) that should be protected. When you are finished, the dress should really be packed in tight so as not to move around in the box.
Suitcase
If your gown is a generous A-line or ballgown complete with petticoat, you need to go for the biggest suitcase you can find. Otherwise, like the box, find a suitcase about a third of the size of your gown. Your gown should be the only piece of anything you pack in the case other than tissue. Follow the same proceedure you would for packing your gown in a box, especially the part about stuffing the bodice with tissue. This way your gown can retain its shape.
Garment Bag
The first thing about bagging a gown in a garment bag is finding out where the dress hangers are. Most gowns have these little hangers resembling straps that keep the stress off the shoulders. They are typically found at either the armhole or waistline. After hanging the gown up on a padded hanger, pack the gown with tissue in the bodice so it keeps the shape. If there is a full skirt, pack the bottom of the bag so the skirt rests on it to eliminate stresss to the hemline.
TRAIN AND SHIP TRAVEL TRAVEL
CRUSIN'
Brides either marrying onboard or sailing to their destination via cruise ship generally have few worries. Closet space is available and pressing services onboard ship are top notch. This of course depends on the cruiseline. I've heard horror stories about cheap cruiselines with bathrooms so small your shower is in the toilet. Think Cunard, Norweigian, Royal Carribian and you're in a major city floating on water, everything you ever wanted readily available. Same goes without saying for private yachts. Shorter cruises on, say, ferries are trickier but usually have more closet space than that aboard a plane or train.
ALL ABOARD! THE TRUTH ABOUT TRAINS
Once upon a time in America this was one of the most common and luxurious forms of long distance travel. No more. Over time train travel has lost its chic factor. But for those who have a morbid phobia about flying or just plain love going by train, here's the scoop. Trains offer a little more space for moving around from compartment to compartment than planes do. You'd think this would mean more room to hang a gown but when I spoke to the Amtrack agent she said it's either the overhead bin or baggage car for the gown. Since Amtrack is the only game in town if you're getting from point to point in the USA, please avoid coach unless you are going a short distance. Then, use the above info to box your gown and check it in as baggage (yes box--your gown. The way they throw baggage around your gown will be packed tight in the box) If you're going a little further than say Buffalo to NYC: go for one of the larger compartments if you can. Here's the link for finding the right sleeping car which invaribly means having your own space to guard your prized pocession.
Train travel through Europe is a little different and more common. Schedules there actually run on time and go faster than their American cousins. Going short distances via coach, the space problem still exists so you can do one of two things: either box your gown and check it in as baggage or buy an extra seat on which to put it. Take into mind there are many more train routes that go through Europe. This means whether your destination is a major city or smaller village, a train either runs through it or nearby. Check online if you are traveling through Europe or Asia and find out as much as you can about space.
Once you reach your destination remove the dress from the bag and make sure to put it on a padded hanger. An alternative to the padded hanger is my hanging dress form above. This is a display hanger I use in the studio to show off my designs. They have another function: keeping your gown shaped and taking the stress off the shoulders or from whatever point your dress hangs. You can order one from Robert Hamm
If you can invest in a portable steamer, do it. They're twice as fast as the conventional iron and give a clean, finished look. As with over pressing, the steamer if held too close can water spot silk. A small travel iron is great for getting all those corners and pleats. Having a portable stemer and travel iron both is ideal. The optimal option if you can arrange it is getting your gown professionally pressed once you reach your destination.
Other Options and Tips
*If you don't want to travel with your gown have your salon, dressmaker or yourself ship the gown ahead to its destination. Out of the big three--UPS, Fed Ex and the US Postal Service, the latter is the cheapest way to go. Brides have always exercised this 'Send my things on ahead' option by arranging for a friend, family member or hotel/venue/consultant to sign for it. Thus, this has become so convenient for destination brides, many hotels and venues are signing for the wedding dress as part of their service.
*Pack your bridal accessories for travel seperately from your gown. Once you reach that beautiful destination you can assemble your whole ensemble.
*More suggestions about pressing: If your gown is made out of tulle, don’t you dare press it! Steam it instead. The same goes for your veil; ironing scorches tulle.
*Pressing hard to get at wrinkles out of your gown is done with a cool, dry iron over a piece of broadcloth or muslin, called a press mitt. Forget worrying too much about wrinkling your gown going to and from the ceremony. Just push the bulk of your skirt aside once you’re in the car--that is, if you will be in a car or carriage.
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STALKING THE LOOKBOOKS: JASPER CONRAN
By bridechic · August 12, 2009 · 0 Comments · 3 Views
Monday, August 10, 2009
I'm loving everything about the Spring/Summer 2009 Jasper Conran collection. Luxe fabrics and flattering silhouettes are just the beginning. There's not a gown in this vast collection I don't absolutely love . . .
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THE PERFECT SUMMER PALETTE
By bridechic · August 12, 2009 · 0 Comments · 4 Views
Sunday, August 9, 2009
click to enlargeI found this tones of red gem on The Perfect Palette. I'm taken with how everything here balances and relates. The color scheme is actually cranberry and plum . . . perfect for the farm theme of the actual wedding . . .
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PETER FOX SHOES
By bridechic · August 12, 2009 · 0 Comments · 5 Views
Saturday, August 8, 2009
Want to go more than a bit vintage on your wedding day? Try slipping your tootsies into something by Peter Fox. For years this Canadian designer has had the edge on the theatrical when it comes to footwear and looks so authentic to the times he is recreating . . .
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GOING FLORAL
By bridechic · August 12, 2009 · 0 Comments · 5 Views
Friday, August 7, 2009
Raimon Bundo
Jenny Packham
Florals aren't exactly a new and radical concept in bridal wear but oh la la! they sure are and ever will be pure romantics. And just look what options and diversity a designer has when it comes to planting them in collections.
Showpony
Showpony
Florals can decorate an entire bodice and skirt, adorn a hemline or be a small a suble accent on a belt or shoulder.
Alexis Mabille
I'm always intrigued by embossed florals on fabrics like the Mabille dress above.
One of my favorite looks is the classic Gatsbyesque white picture hat. This 1998 Frank Olive ad for Nordstrom is a study in pure design sporting a bit of Audrey Hepburn.
Another find from Martha Stewart Weddings 1998 is the Dioresque look of a floral festooned 5- inch ribbon sash. It came complete with DIY instructions.
Alexis Mabille I'm always intrigued by embossed florals on fabrics like the Mabille dress above.
One of my favorite looks is the classic Gatsbyesque white picture hat. This 1998 Frank Olive ad for Nordstrom is a study in pure design sporting a bit of Audrey Hepburn.
Another find from Martha Stewart Weddings 1998 is the Dioresque look of a floral festooned 5- inch ribbon sash. It came complete with DIY instructions.
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NOVEL IDEAS FOR WEDDING PORTRAITS
By bridechic · August 12, 2009 · 0 Comments · 1 Views
Thursday, August 6, 2009
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Forgotten Fairy Tales
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Albeit, these are a far cry from mom or grandmom's wedding portraits taken in Wanamaker's back in 1950. Since brides are breaking tradition on all fronts, why not with the famous wedding portrait? Just think of what your grandchildren will make of it. 'Grandmom was married way back in the 'artsy fartsy age' when everyone was going crazy experimenting with digital'. While not quite in the spirit of 'trash the dress' sessions, I find these images provacative and original. Have fun figuring out your own theme. Your wedding photographer will be challenged as well as inspired by your sense of boldness . . .
Michelle Monique
Michelle Monique
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TIERS OF HAPPINESS
By bridechic · August 11, 2009 · 0 Comments · 3 Views
Wednesday, August 5, 2009
Chanel
Chanel
Dior
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HAPPY ANNIVERSARY CAROLINE KENNEDY SCHLOSSBERG
By bridechic · July 19, 2009 · 0 Comments · 198 Views
Sunday, July 19, 2009
In an era of overdressed, elaborate weddings she managed to come off as an elegant sport of fine taste. When Caroline Kennedy married Ed Schlossberg on July 19, 1986 she wore a stunner of a gown, simple in design and embellishment for it's time. The jewel necked, long waisted, silk organza gown gathered into a long train. Celebrating her heritage, the bodice was embroidered with hundreds of lace shamrocks that bordered the neckline and hem as well. We have Caroline Kennedy to thank for introducing us to one of the most gifted designers of all time, Carolina Herrera. Herrera launched her first couture collection in 1981, adding a fur line three years later. Carolina Hererra Bridal premiered in 1987 right after she designed Caroline Kennedy's wedding gown
Designer Carolina HerreraThe wedding took place at Our Lady of Victory, a small country church in Centerville. The tiny Cape Cod town is only a few miles from Hyannis Port and Saint Francis Xavier, the Kennedy's home church. St. Francis was of course the family's first choice but a Saturday afternoon Mass could not be cancelled (not even for a Kennedy Wedding?).
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Recent picture with Hilary Clinton. Though Caroline Kennedy is not known as much for her fashion as political savvy, she does indeed have a great classic style as evidenced in the dress above.
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STALKING THE LOOK BOOKS: JORGE TERRA
By bridechic · July 13, 2009 · 0 Comments · 10 Views
Monday, July 13, 2009
STALKING THE LOOK BOOKS: JORGE TERRA
Feast your eyes on these gowns by Jorge Terra. Brazilian born, based in Navarra, Spain, Terra's finding a cozy niche in evening and bridal wear. The gowns shown here were exhibited at the Puerta de Europa, International Bridal Fashion Exhibition; 23-24 April 2009 in Madrid. Since Terra is relatively new to the industry, pinning down a certain look synonymous with his work hasn't gelled as of yet. Still experimenting, the fun here will be in guessing which signature will become his own. I particularly like his sleeved looks reflective of 19th century costume. Tango and Flamenco sweeps of skirt reminiscent of a Spanish dancer are present too. Always on my chic list are the evening gowns a la 1930s he does with such a flair.
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SIMPLE AND CHIC
By bridechic · July 11, 2009 · 0 Comments · 9 Views
Saturday, July 11, 2009
Wine Glasses by Gump's
Evening Dresses by Nicole Miller
Pumps by Manolo Blahnik
Earrings by FANTASIA
Something about the simplicity of this Nicole Miller dress and all the accessories that go with it clearly spell chic. The empire sheath style out of 94% silk 6% spandex will make you look longer, leaner and gorgeous. A great choice for summer weddings; it can go easily for a bash on the beach or formal affair at a chi chi resort.
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