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Posts for September 2009

MOOD SWING

By bridechic · September 26, 2009 · 0 Comments · 12 Views

 


Found this on Grant-Riley Weddings and fell in love with the color combos. Brown and pink work together to set a calming mood for me most probably for the reason that these colors invoke the taste of chocolate and parfait. Add the champagne and you really have a sweet treat awaiting . . .

THE HISTORY OF THE TIARA

By bridechic · September 24, 2009 · 1 Comment · 1,254 Views

The ultimate essential for a bride: A Swarovski crystal tiara
When Sarah Ferguson married Prince Andrew in 1986, she wore a wreath of flowers on her head as she processed down the aisle of Westminster Abbey. Once she emerged from the registry after signing the marriage certificate, she had changed into a tiara for the recessional. Sarah went to the altar as a young lady and emerged on her husband's arm a married woman. Her statement was simple: According to custom for last two hundred years, the tiara has been the official headpiece of married women, and, ahem, dowagers. So why do Miss America winners get to wear them? Maybe because tiaras, aka diadems have always been worn by nobility and very important people. These jeweled crowns are as ancient as civilization itself. The earliest were found in the Greek/Roman world. Goldsmiths created them to crown the heads of statues of their Gods and priests. The Greeks also awarded them to Olympic champions, and higher-ups wore them to mark celebrated occasions. In Egypt the tiara was a symbol of respect to crown the heads of royal and noble mummies. Fast forward a few centuries and once the Bourbon monarchs returned after 1815, it spun off a real show of elaborate jewelry found in the tiaras of the French court. The British likewise made up some of the most memorable and stunning tiaras of the 19th Century. During this time tiaras became associated with weddings, ushering in the birth of the 'matrimonial tiara'.

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The current Miss America . . . getting crowned with this particular tiara means everything.


Queen Alexandra's Kokoshnik Tiara

The following photos and descriptions come from Mandy's Royalty.org: "Queen Alexandra, the wife of King Edward VII, commissioned Garrard's to create this tiara in the style of a Russian peasant girl's headdress. Her sister Princess Dagmar, who had become Empress Marie of Russia, had a similar tiara which was the inspiration for the Kokoshnik.
It is composed of sixty-one platinum bars and filled with 488 diamonds. It is often worn by HM The Queen today.

Queen Mary's "Girls of Great Britain & Ireland" tiara

This tiara was given to Princess May of Teck as a wedding gift. Lady Eve Greville's committee raised the money from "the girls of Great Britain and Ireland" for the tiara, which garnered more than £5000.
May, a German princess, was engaged to Prince George, son of King Edward VII. She would be known later in life as the formidable Queen Mary, Queen Elizabeth II's mentor in all things royal.

This tiara was made by King George III for his wife, Queen Charlotte.

The Cambridge "Lover's Knot" tiara


Queen Mary instructed Garrard's to create this tiara in 1914, copying the design of a tiara worn by her grandmother, Princess Augusta of Hesse.
The tiara is named for the Cambridge side of Queen Mary's family, of which Princess Augusta was a part. She was married to the first Duke of Cambridge, a son of King George III. Her tiara was set on a base of pearls to match the hanging drop pearls that were suspended from diamond lover's knots. Queen Mary's design for the tiara did not have a base of pearls, but diamonds instead.
This tiara was frequently worn by Diana, Princess of Wales. It was a gift to her from Queen Elizabeth II. "

Russia in the mid to late 19th century had a real Renaissance of jewelry designers. This group of artists brought us some of the most magnificent tiaras and settings imaginable. With the crowning of England's King Edward II in 1902 and King George V in 1911, new tiaras incorporating the royal jewels made history. The Paris Opera, became the epicenter for head chic with many a jeweled and plumed woman, strutting one-of-a-kind tiaras. At the turn of the 20th century, more tiaras were worn than ever before. By the 1920s they were still with us but had evolved as elaborate fashion statements worn on bobbed heads some as bandeaux and aigrettes.

1920s tiara
Of course nobody gets a better deal or selection of tiaras than the royals. Shown above is Princess Margaret Rose wearing The Poltimore Tiara. Made by Garrards in 1870 for Lady Poltimore, this tiara made the real headlines when HRH the Princess wore it for her wedding to Anthony Armstrong-Jones in May 1960. Margaret's children let go of this grand and beautiful crown at an auction at Christie's in 2006.

HRH: A beautifully tiaraed Princess Grace of Monaco

My Fair Lady

Here's the Great Audrey. The pageant tiara or more commonly known Holly Golightly pictured below, is the tiara we associate with brides today. She was somehow regal, whether faking it til she made it in Breakfast at Tiffany's, or the European aristocrat in Roman Holiday. Note how Audrey could wear these three very different tiaras in the roles she played.



Roman Holiday


Below are two versions of tiaras by contemporary designers.
True Blind Faith

Amy-Jo Tatum



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I'd call this Lady above the ultimate tiara wearer . . . . She wears this ring of copper not because she is nobility but noble in all she represents which for me transcends any configuration of jewels and settings . . .


For a further, deeper read on this fascinating subject check out, Tiaras, A History of Splendor by Geoffery C. Munn. He's written two books on tiaras, both with some stunning photos and surprising info . . .

GOING ARCTIC

By bridechic · September 23, 2009 · 0 Comments · 25 Views

 


Change is just around the corner and as we feel that mid-September nip in the air, Winter brides are thinking about what fabrics and silhouettes will whip up nicely for a cold weather wedding. Getting married in a sub-zero clime shouldn't be a hassle for you or your guests with a little forethought and planning. While there are some heavier and beautiful winter fabrics out there like brocades and peau de soie, any gown can be winterized with a little ingenuity. Add gloves, a muff and shawl and you'll be surprised how warm you'll be. These gorgeous gowns offer just the touch of inspiration for winter brides . . .


Stand out in your arctic circle, caressed by a tower of slim sparkle. Silver and gold paillettes turn up the wattage on a lace gown with chiffon-wrap detail, about $6,490, by Elizabeth Fillmore, elizabethfillmorebridal.com. Mother-of-pearl flower cuff, by Iradj Moini, iradjmoini.com.


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The Russian revival lives on, thanks to statement pieces—a beaded bolero, a fur hat—that evoke Eastern European elegance. The ivory silk-taffeta three-tiered gown has a crystal-beaded neckline and straps, about $2,530, by Jim Hjelm by Francesca Pitera, jimhjelmvisions.com. Silk-brocade jacket with crystal trim, about $5,500, by Cynthia Rose, 212-242-6133. Leopard-print fox hat, by Anne Dee Goldin, goldinfeldman.com. Earrings, by Iradj Moini, iradjmoini.com.



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A Swarovski crystal-embroidered satin bodice floats on a cloud of draped silk-tulle. Chase the chill with a stole slung over your shoulder, about $11,625, by Evalina Schmidtke Couture, evalinacouture.com. Fox stole, by Cassin, 212-564-0946. Necklace, by MEG Jewelry, megweddingjewelry.com



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Size matters this season, as the balloon-shaped ball gown steals the spotlight. Turn up your volume with a billowing, iridescent sequined skirt and a blue-and-silver Chantilly lace bodice with ribbon detail. Fur blanket, by Adrienne Landau, adriennelandau.com. Earrings, by Diego for Jaded, jadedjewels.com.


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Moscow goes mainstream with a trendsetting double-face satin coatdress featuring Victorian-style floral embroidery, blouson sleeves, and a belted waist, about $3,940, by Reva Mivasagar, revadesigns.com. Woven fox hat, by Cassin, 212-564-0946. Embroidered boots, by Edoche, edoche.com. Earrings, by Diego for Jaded, jadedjewels.com.


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A hand-embroidered organza confection is unforgettably feminine, thanks to tiers of poetic pleats and Swarovski crystal-beaded bands, about $5,890, by St. Pucchi Couture, stpucchi.com. Coyote muff, by Anne Dee Goldin, goldinfeldman.com. Aquamarine necklace, by Iradj Moini, iradjmoini.com.


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Lace gets an update when it's shaded in a powder-soft hue. A romantic gown with bubble skirt combines ice-blue silk mikado and silver French lace to ravishing effect, about $4,500, by Tomasina, tomasina.com. Multistrand Austrian crystal necklace and pendant, by R.J. Graziano 212-685-1248.


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It's your time to shine in a slender strapless column of white satin, overlaid with gold metallic chiffon. A retro rabbit cover offers climate control of a charming kind. Dress, about $4,990, and bolero, about $650, both by Lara Hélène Bridal Atelier, larahelene.com. Woven-mink headband, by Cassin, 212-564-0946. Multistone enamel earrings and multistone bracelet, by Diego for Jaded, jadedjewels.com. Mother-of-pearl flower necklace by Iradj Moini, iradjmoini.com.

VISUAL POETRY

By bridechic · September 22, 2009 · 0 Comments · 9 Views
Winter Wolf Studios

Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account,
And for my self mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me my self indeedbeated and chopt with tanned antiquity,
Mine own self-love quite contrary I read: Self, so self-loving were iniquity.
'Tis thee (my self) that for my self I praise,
Painting my age with beauty of thy days.

--William Shakespeare--
Sonnet 62

DROP DEAD GORGEOUS DECO DRESSING

By bridechic · September 21, 2009 · 0 Comments · 37 Views



I've long been a fan of Isadora's in Seattle. Known primarily for their vintage jewelry, they also offer some stunning reproductions of deco era gowns in the finest most delectable fabrics you can imagine. The bling goes from antique platinum and diamond filigree engagement rings to Victorian garnet jewelry, and, of course magnificent estate diamonds. You’ll also find couture Christian Dior, charming 1920’s cloche hats, and decorative objects for the home. Take a look . . .





This beautiful silk chiffon scarf is a perfect accent to any wedding gown. The scarf pictured is accented with delicate hand painting.



Circa 1930. This wonderful pair of German sterling marcasite earrings have a wonderful design and are accented with beautiful carnelian in a lovely burnt orange color. They measure 58mm long and 12mm wide. They are screwbacks.



Circa 1890. This beautiful antique 18KT gold snake ring has two heads. One is accented with a ruby and the other a diamond. The top of the ring measures 16mm wide and 3.5mm tall. The base of the shank measures 4mm wide and 1mm thick.




The Noelle is a beauitful bias cut gown with cowl neck and deep cowl back that dips to the waist. Criss-cross straps are a beautiful accent to this simply lovely gown.



Circa 1890. This fabulous antique Victorian earrings are composed of 18KT yellow gold and accented with sparkling diamonds. Rich blue enamel designs give these antique earrings exquisite grace and depth. The diamonds have a .32 carat total diamond weight, H-I color and VS2-SI1 clarity. They measure 37mm long and 12.5mm wide. For pierced ears. Appraisal Value: $2,185.00.


Circa 1950. This fabulous 14KT rose gold ring is centered by a wonderful emerald cut citrine. The top of this fantastic vintage ring measures 20mm wide and 13mm tall. The base of the shank measures 1.5mm x 1mm.


This version of the Stella is constructed with a beautiful silk chiffon overlay and accented with delicate irredescent beads and sequins



Circa 1920. This wonderful silver bracelet is accented with beautiful cabochon cut moonstones. It measures 11mm at its greatest width. It is 6 1/2″ in length.




Circa 1930. This beautiful 18KT white gold filigree ring is centered by a stunning 1.56 carat aquamarine stone. The top of this wonderful vintage ring measures 8.5mm wide and 8mm tall. The base of the shank measures 1mm x 1.3mm. Appraisal Value: $2,375

MOM DRESSING

By bridechic · September 20, 2009 · 0 Comments · 31 Views

Sunday, September 20, 2009



 







There used to be a perscibed look for bride and groom Moms. Check out any movie like Father of the Bride (1950 version) and you'll find a well turned out but premature, over-the-hill ensemble on a still going strong beauty like Myrna Loy. Traditions die hard. A new generation of Moms known for questioning tradition are finally stepping out of the accepted standard and going for looks like this emerald gem if it's flattering. Kudos to them!



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FALL CHIC

By bridechic · September 20, 2009 · 0 Comments · 236 Views
September 19, 2009

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Check out this combo of copper, gold & latte. Made up by The Perfect Pallette it's just right for Fall. This time of year has so much to do with vineyards, farms and cozy get togethers. A wedding in these harvest months brings change; not only does the light become more ochre but bouquets are a little more rustic in both color and texture.





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LACE: NEW SPINS ON AN OLD TRADITION

By bridechic · September 20, 2009 · 0 Comments · 254 Views

Friday, September 18, 2009



 








Max Chaoul

Lace as we know it evokes images of woven florals and scalloped edges on flounced skirts and collars. Though these time-honored looks will always be with us, lately we're seeing new spins on the use of lace in bridal wear. Not only are the traditionals like Alencon and Chantilly now used in cutting edge ways, new inventions in knit and revivals in cotton and crocheted laces are showing up. Some of it is being used discreetly on no more than a sleeve or yoke while the high drama of donning all over lace from collar to hemline is chic as well.


Rosa Clara




Stephanie Allin




Cunningham
Neil


Luisa Beccaria

Colored laces in designer collections range from the palest cream to dark ecru and pastels. I've even spotted some water-colored peau d'ange laces in a custom collection.
Here are some gowns—all lacy in some way-- that combine aspects from the finest eras styled with the contemporary bride in mind.


Colette Dinnigan

Above and below are gowns in knit and cotton laces, definitely a new spin to traditional. For the eco-conscious bride, most could easily be reworn post-wedding.
Manuel Mota







Above and below: What could be more practical than these romantic looking separates?


Elspeth Gibson





Don't you just love them? I found these little bit modern, little bit romantic Roberto Cavalli lace boots in Spanish Vogue


Givenchy




Justin Alexander

Embroidered lace combined with embellishments










Photo: ejones photography/All Rights Reserved



Above:: Chantilly lace bodice and organza shawl with border



The history of lace making deserves an entire book or docudrama in itself and the art of making it goes back in time further than some fabric weaving. Knotting techniques actually trace back to basket making. As lace making evolved into an art form, so did demand for it.




Like fabric has a weave, lace has different patterns. Here are a few of the most common:



Alencon-Floral patterns on mesh or net background outlined in cording. Has a three-dimensional look.


Chantilly-Floral or foliage designs on a net background. Generally has a scalloped edge.


Cluny-Crocheted lace in heavy cotton also known as Irish lace. Chic in the swinging 1960s for mini wedding dresses and granny gowns.


Eyelet-Actually a woven cotton with eyelet cutouts and embroidery.


Peau d'Ange-Delicate version of Chantilly lace made with a flossier yarn.


Schiffli-Embroidered design on a mesh or organza background. Typically has a scalloped border.


Venice-Heavy lace with raised designs. Usually a single motif with an open background.

Gown by Amy-jo Tatum














Above Left: Allover Chantilly lace wedding dress.


Chantilly lace with scalloped edge


Above: Peau d'Ange lace. A delicate version of Chantilly




Eyelet bodice detail: eyelets and embroidery







Full view of eyelet dress








Gowns by Amy-Jo Tatum


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THE GRACE KELLY FACTOR: GETTING THE LOOK

By bridechic · September 17, 2009 · 0 Comments · 378 Views

Thursday, September 17, 2009



"Throughout both her careers, Grace had one attribute--class"

--Jimmy Stewart--






In Judith Baliban Quine's book, The Bridesmaids, she writes, "Had you been there as I was you might have realized that day, like the bride-to-be herself, was a creation brought to us through the joint production efforts of enormous willpower, Metro-Goldwin-Mayer and God." Quine goes on to say MGM was actually a late arrival on the scene as most everything that came to Grace, despite her Mainline Philadelphia birth and refined beauty, was won only through time and dedication to her work.





April 19, 1956, the world was treated to a storybook romance come true when actress Grace Kelly married Prince Rainer of Monaco. Thinking back to roles she played before she became a princess, we remember Grace Kelly as the ultimate 'Deb'. Had she not pursued acting with such determination, in all probability she would have become just that : A Mainline Philadelphia Debutante. As a result, on film she reflected that cool, refined blond to perfection.Princess Grace's gown to this day is one of the most traditional and remains the touchstone in bridal fashion. Impeccably made, the taffeta and Val lace confection was a wedding gift from MGM Studios. Imagine this: 25 yards of silk taffeta, 100 yards of silk net, and vintage Belgian rose point lace. Her headpiece was classic : a bandeau cap covered in tiny seed pearls under an intricate lace mantilla.Designed by Helen Rose who worked on Kelly's costumes for High Society and The Swan, the gown was designed and run up in less than four months if you can believe that. Hollywood by then was ace at whipping up a masterpiece if a movie or event demanded. Over thirty seamstresses labored on the gown in the MGM workrooms round the clock. From a designer's standpoint, I'd have to say the Kelly gown is the most perfect dress ever made, despite it's speedy construction time. Made up of four different components, it's actually a combination of separates all put together to look like a traditional ballgown. Studying the construction diagrams with the fitted, long-sleeved bodice and full bell skirt, this gown though cutting edge back in 1956, will always be timeless.


Getting the Look

Grace's trademark for looking chic was always simplicity. Never overdone, typically she wore clean and minimal make up accentuating her Patrician beauty. Add to that pulled back hair and a classic strapless gown for evening like the image above and you have her look. Though her actual wedding gown was traditional, she could have gone with an A-line or sheath with either strapless bateau or V-neck, and still been totally In-the-Grace character mode. The good news is, A-lines look great on just about everyone and just about everyone feels like Grace Kelly in them, ie; symbolizing class and refinement. Add any fabric that has understated elegance like traditional duchesse satin and peau de soie.


Consider adding some options to your look. A shrug or bolero can cover you up for the ceremony and be removed for reception. Want another variation of that 1950s look? How about an opaque removable top in organza or lace? This too can be removed come reception time. If you're in a sheath, A-line or evening gown add a wrap or coat either in matching fabric or, for those fall/winter weddings, in peau de soie or brocade.

If you love Grace's gown and want to incorporate components in your own, start by studying the original creation. The Vogue pattern below closely emulates this design. Luckily today's bride can be more daring. Though Grace was the epitome of a refined lady in her day, she worked in a glitzy industry. Marrying a prince, she wanted to reassure the Monegasques she wasn't just another movie star blond in sequins. Setting the tone for her reign, she chose the most classic of all designs. Contemporary brides might want to experiment with a different neckline or modified skirt. Here's another idea. Grace's bodice was actually a blouse. You could experiment with a shrug or jacket over a strapless gown.



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Romona Keveza's rendition on the ballgown Grace Kelly wore at her 'Wedding Eve' celebration.



Grace style





Always a lady, Grace's signature pieces were a pair of gloves and a hat much like the one shown here. Only the shoes are a bit off. Grace is remembered for her elegance but ironically she had somewhat stogey personal taste when it came to foot chic. Unless, that is, MGM was dressing her. Then she had the best . . .




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CHECK OUT WELL WED

By bridechic · September 17, 2009 · 0 Comments · 23 Views

Wednesday, September 16, 2009











Patricia Kanzos Photography



Are you a bride residing on the Eastern Seaboard perchance? If you are check out Well Wed, a magazine offering a look at local wedding resources. Packed with inspiration. Vermont Vows and the three WellWed magazines connect you with the most celebrated wedding professionals and wedding locations on the East Coast. From the Cape and Vineyard to The Hamptons, The Adirondacks, and Vermont, they offer the "insider" knowledge you need to find your way and create that destination wedding of your dreams . . .


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THE AFTER LIFE OF YOUR GOWN: ALTERNATIVES TO STORING IT IN THE BOX

By bridechic · September 17, 2009 · 0 Comments · 24 Views

Tuesday, September 15, 2009



 



One of my clients recently asked, 'What do I do with my gown once the wedding is over?"

I suggested she might display the gown in her living room or bedroom on a dress form. I was glad she liked the idea because it roused the spark in me to develop an ongoing series about that, 'What's next?' question all you brides are asking.

Okay, so, let's start with the display idea. Display is actually one way of storing a gown as a soft furnishing that everyone sees. If you have room in your home and are open to a new and unique way of creating a decorating statement, go for it. Displaying your gown on dress form makes for great conversation when folks come over to visit. It also looks pretty. These photos display different ways of arranging a dress form as well as giving you other display ideas. Take into mind these come out of French Nest, a trendy design/antique store here in San Anselmo. The two women who put these displays up are tops in their field and I'm constantly learning from them.


If you have an interesting or antique pair of shoes and don't plan on wearing them anytime soon try this . . .



Not just your bridal jewelry can go on this kind of display.






A fine example of separates dressing (and display). This bodice is actually a Chantilly lace blouse worn over a strapless gown. Can you imagine this stunner New Years Eve over a cami with a black velvet skirt?





This eyelet dress can work well as reusable bridal attire.





Because my clients have been looking for more options on recycling their gowns post wedding, donating or incorporating it into everyday wear is becoming more the eco-conscious thing than storing it in a box. Keep in mind you do have the option of choosing a design you can re-wear. Working your gown into your wardrobe can mean planning separates, elements that can be customized and transformed as double duty pieces. Maybe you’re into cotton and linen. A cotton eyelet dress or linen suit can work well as reusable bridal attire. If you’re drawn to simpler silhouettes in functional fabrics like wool and silk jersey this works too. Knowing how to work a veil with some opera length gloves and the right shoes can really pull a simple dress into a ‘bridal look’. Consequently, the more practical you are, (as opposed to sentimental) the more likely you are to re-wear your gown.


Working your gown into your wardrobe can mean planning separates. This is actually a tulle skirt paired with a white jersey tank top


photo by jellyandtoast






Bassinets in particular intrigue me, they keep the gown sentiment going as a story told through laces and silk. The bulk of the skirt wraps around the bassinet and your veil hangs as a head draping. If you wore a tiara you’ve created a real fairy tale. I’ve actually known brides who have fashioned table runners out of galloons of lace removed from hemlines; others lined shelves in china cabinets with smaller pieces. And don’t laugh. The skirts of some gowns have made some of the most gorgeous tablecloths I’ve ever seen.. Last season a client brought me an exquisite antique tablecloth and asked me to fashion her wedding gown out of it. I was awestruck. First by the cloth. It was an allover and rare Cluny Lace. Ten years ago this would have been considered by most as ‘chintzing it’ on your wedding day whereas these days it is not only applauded but even considered a sentimental gesture—in my client’s case—the tablecloth was lovingly left to her by her great-grandmother.




Posted by bridechic at 12:46 AM



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STALKING THE LOOK BOOKS: ISABEL ZAPARDIEZ

By bridechic · September 17, 2009 · 0 Comments · 38 Views

Monday, September 14, 2009



True to classic style, Basque designer Isabel Zapardiez gave a lesson in good taste on the Madrid Catwalk . 1940s inspired silhouettes became the perfect alloy to wrap the female form in the of air of vintage chic. These fine gauze draped dresses twisted around the waist and sculpt the figure. Check out her use of leather and lace combos. Juxtaposed yet chic . . .

























Photos courtesy Vogue Novias




Posted by bridechic at 12:17 AM



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GALA CHIC: OPENING NIGHT AT THE SAN FRANCISCO OPERA

By bridechic · September 13, 2009 · 0 Comments · 138 Views

Amber Marie Bently shows off her dress by Skin Graft



Tony and Sandra Go attend the San Francisco Opera Gala



Opening night of the opera in San Francisco has a time-honored tradition for 'Puttin' on the Ritz'. Right up there with Cannes but maybe not as renowned , opening night SF carries remnants of old guard charm and major fashion blitz all at once. Rock stars to royalty fly in from all over the world to attend. Friday, September 11, a gala party kicked off the 2009 season before opera goers attended a performance of Il Trovatore. You'll notice many bridal designers featured here . . . all those gowns we know and love simply switch to technicolor when they come out on nights like this . . .



Guy chic. White Tie/Black Tie





Inside City Hall, guests mingle before sitting down for dinner during opening night.

The Promenade: Guests walk into the War Memorial Opera House during the opening night of the San Francisco Opera on September 11, 2009.




Jennifer Siebel Newsom shows off her dress during the Opera Gala



Mayor Gavin Newsom and wife Jennifer


Deepa Pakianathan wears a dress designed by Naeem Khan


Angelique Griepp wears dress by Oscar de la Renta



Leslie Simpson wears a dress designed by Angel Sanchez



Karen Caldwell wears a dress designed by Lily Samii





Special thanks to Amber Marie Bently and Sandra Go for raising the bar on fashion and daring to go bold this season. A little beyond the fashion curve, for me Bentley's particular edge was the most comfortable seat in the house this opening night. Somewhere between underground and the most quintessential form of couture, she was in that amazing dress by the LA based design house Skin Graft . I'm hoping her gray asymmetrically tiered stunner will open doors to a whole new way of dressing

for gala nights.

Alan Malouf and Arianna Huffington


From left: Marius Carluci, Afsaneh Akhtari, Stephen Silver and Joel Goodrich enjoy the Opera Gala during the opening night of the San Francisco Opera at the War Memorial Building on September 11, 2009.





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HAPPY ANNIVERSARY JACKIE AND JACK

By bridechic · September 12, 2009 · 0 Comments · 57 Views

One of the most iconic women of all time, Jacqueline Bouvier Kennedy possessed grace and style, leaving her indelible stamp on fashion. Her wedding to Senator John F. Kennedy in 1953 was dubbed the Wedding of the Century. Oddly, the gown she wanted would have been simpler and of less fabric, most probably created in Paris. Joseph P. Kennedy's machinations in the way of wedding arrangements along with her mother Janet's, Jackie had neither the dress nor quiet celebration of her choice. Janet's dressmaker, Ann Lowe, was engaged to make Jackie's bridal gown as well as all in the bridal party. Lowe was a very talented African-American designer known for grand entrance gowns detailed with intricate tuck, pleat and trapunto treatments. Amongst her clients were Rockerfellers and Vanderbuilts. Did Lowe suspect Jackie's would be one of the most celebrated gowns in history? We know she probably did expect some publicity. But what would have resulted in $700.00 profit was gone a week before the wedding. Water pipes in Lowe's New York City shop broke and damaged ten out of the sixteen gowns. After buying new fabric, she and her staff burned the midnight oil to finish the gowns on time for the Bouvier/Kennedy Wedding. She lost $2,000.00 in the process








Studying Jackie's dress, for it's day it is not as typical 1950s as some experts have claimed. While off the shoulder gowns were a hot trend circa '53, you didn't find them in too many church ceremonies--especially Catholic ones officiated by an Archbishop. The dress does have some elements harking back to early Victoriana. There were 50 yards of silk taffeta, with a very full circular skirt tucked and pleated (Lowe's specialty). On Jackie's head was her grandmother's rose point lace veil hanging from a circular lace cap festooned with orange blossoms. She pulled her look together with short, white kid gloves (Oh so Jackie).




Jack and Jackie were about as different as two people could be. Yet, together they made a complimentary team as both possessed a high and cultivated intellect. The ommph JFK and Jackie brought to The White House has only been topped by our most recent pres and First Lady.


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WHITE IS CHIC

By bridechic · September 11, 2009 · 0 Comments · 21 Views

CLICK TO ENLARGE



This gorgeous display of white comes from EAD and was posted by Elizabeth herself. It says purity as well as simplicity all over. Lots of kudos on this one!


Clockwise from top left: Rosa Clara via nie fiu fiu i nie kiczowato, Aaron Delesie via The Bride’s Cafe, Bellissima Vita, Jenna Hein, Jane Jordan, Rosenow Floral via Brooklyn Bride, Unknown Source (please message if yours), Kimberley Seldon via Desire to Inspire, Whiteport via Perfect Bound

Loving the kind of vintage-mod feel of this one!


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MORE ON TOPPING IT OFF

By bridechic · September 10, 2009 · 0 Comments · 22 Views

 



 







I know I'm saturating all my good and patient readers with a high dosage of head chic lately but just wanted to share a couple more stunners my client emailed me last week. She's gathering ideas for her headpiece and I was surprised I hadn't stumbled across some of her finds in my travels around the blogsphere. This piece is 3-4 inch horsehair embellished with feathers, giving a real haute couture touch to your ensemble. Its versatile enough to work with tailored looks like the gown pictured here as well as a more classic and/or romantic gown . . .






 



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CLOUDS OF TULLE

By bridechic · September 9, 2009 · 0 Comments · 826 Views

What could say bridal more than a cloud of soft tulle? Defined, tulle is a fine mesh netting with a hexagonal pattern that comes in silk, cotton, nylon or acrylic/silk for power netting. Tulle is familiar because its the standard material for bridal veils. But did you know it comes in lighter versions and is used in bouffant skirts. The one pictured above proffers that ballerina look Vera Wang popularized a few years back? While the big tulle skirt is classic, edgier versions of late suggest special effects like draping, ruching and pick-up treatments over more modified skirt silhouettes. There are many different tulles and uses of it. Below are some stunning examples.

Vera Wang

Vera Wang loves tulle. This confection is swathed in white tulle over pink rose appliques to look like a parfait. Joyce Young
Florals applied to a tulle skirt and bodice
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Next three photos show the variations on embroidered tulles
Elie Saab
Donna Salado
Another pink confection using yards of lightweight pink tulle.



David Fielden


The ecru tulle here covers the dress with two different applications: the top is draped and ruched; the skirt, gathered . . .Even the Kronishka on top has small tulle ruffles . . .

Scott Williams Photography
Gown by Amy-Jo Tatum
A hook-on and off tulle overskirt

Jasper Conran
Just the wrap here is tulle. . . .

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This gorgeous mantilla is tulle bordered with Chantilly lace
Hat by Amy-Jo Tatum

Tulle isn't just for veils. This horsehair picture hat is wrapped entirely in it . . .

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And of course we can't forget tulle is used under your dress usually atop crinoline to get the bouncy effect of volume. The images above adds some color to the mix. Trendy now is layering different textures and tones under the gown to create something visually stunning when you move . . . This inspiration board was emailed to me via a client who wants to jazz up the look underneath her dress.

Spose di Gio
The Spose di Gio gown above is signature. Many di Gio gowns are noted for the use of power netting on bodice and sleeves. Power net is also known as tulle and illusion. While Vera Wang didn't invent illusion necklines and sleeve treatments, she did introduce the bridal industry to a more comfortable, less scratchy version that allows for freer movement. Power netting once used by ice skaters and dancers, is now standard for see-through tops and tight sleeves on bridal wear.


Thanks Vera . . . .

David Fielden

No ladies, its not impractical to plan for a tulle gown if you're getting married in late Fall or Winter. While tulle does have that ethereal persona of Spring, it whips up nicely into a Winter Wonderland style fantasy like the David Fielden stunner above. Remember, all it really takes to winterize the skimpiest of gowns is a few really great accessories like a warm wrap, a muff and gloves.
So what more could you ask for . . .?
By bridechic · September 8, 2009 · 0 Comments · 19 Views

Nothing could make me happier than watching one of my brides get married in a picturesque kingdom by the sea. Kalsmar Castle in Sweden is the ultimate Once-Upon-a-Time experience for a romantic wedding. Elin chose the 'Mira' dress from my Dioresque Collection to work with the backdrop of her August 15 wedding to Anton. For me, first thoughts of Sweden conjure up toy-village castles and pastel painted facades like this one. These images are by the very talented Stockholm photographer, Erika Gerdemark . With a great deal of instinct and sensitivity she has captured the most important day in Elin and Anton's life together thus far.

Some background on Elin's dress. First of all it was the perfect choice and she looked truly stunning in it. We used the finest fabrics we could despite a very abbreviated turn around time to get the gown done. The fitted Chantilly lace bodice sits a top a gathered skirt made out of yards of silk chiffon. Under that is layers of China silk and taffeta. Above left she is wearing the separate taffeta slip with additional layers of taffeta and crinoline that give the skirt it's shape and volume.





Getting into the gown, Elin already is wearing her lovely headpiece designed by Batcakes Couture


The following photos are all of the portrait session








What I love so much about this image is the way it shows off the ballerina length and volume of this skirt. Paired with the stacked heels it makes for a very beautiful bell-shaped silhouette.



There's nothing more poetic than two people very much in love. Each picture tells it's own story .




























Discovering the work of Erika Gerdemark who so lovingly documented this event was part of the fun. She not only photographs weddings but portraits and fashion as well. Though she's Stokholm based, her work takes her all over Europe. I have to say, perusing the archives of her blog was inspiring. Few photographers can illustrate the pure joy and elegance of a wedding like she can . . . . For some more inspiration you can check out her site


all photographs copyright © erika gerdemark photography

J. CREW AND YOUR BRIDESMAIDS

By bridechic · September 7, 2009 · 0 Comments · 32 Views
Steer your maids this direction and they'll love you for it. J. Crew is always right on with the most flattering lines and styles. Each dress here complete with accessories runs under $300.00.





Fitted and floaty in lightweight silk chiffon with a delicate crinkled texture. Sleeveless silhouette. Fitted bodice with knot detail at center, A-line skirt. On-seam pockets. Back zip. Fully lined. Falls to knee. Import. Dry clean. Catalog/jcrew.com only.





Crystal thornbush earrings

$75.00 item 19519


Inspired by the grandeur of 60's Czech glass pieces, our designer crafted this dramatic statement earring—streamlined with bold glass stones in open-set castings for maximum luminosity. dark gold ox-plated, hand-casted brass. Omega clips with surgical steel posts. Import. Length: 2 3/4".






A very graceful party dress in midweight silk tricotine, a fabric we chose for its subtle lustre and lovely drape. This dress features a flattering cowlneck with an A-line skirt that falls to the knee. Sleeveless. Side zip. Fully lined. Import. Dry clean. Catalog/jcrew.com only.





Antique gold manor bracelet
$68.00 item 19501
A stunning bracelet with lots of fullness and movement—thanks to dozens of dangly, various-size resin beads (each hand painted in metallic hues to evoke an antique glass effect). 12K shiny, textured gold-plated double oval ring brass chain. Signature spring clasp closure. Import. Length: 7 1/2".




Duchess stone bracelet

A great statement bracelet (we love it layered, too). Chunky hand-cut square glass stones—each hand-set in a four-prong setting— hand assembled on a dark gold ox-plated, hand-casted brass chain. Signature spring clasp closure. Import. Length: 7 1/2".


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A PERFECT FIND

By bridechic · September 6, 2009 · 0 Comments · 13 Views
In my travels around the blogsphere I found this beauty posted by The Wedding Nut. She, Cathrin, also featured my Cabbage Rose picture hat last week. Cathrin found the above image on Martha Stewart .  It is designed by the very talented Suzanne Millinary Couture in NYC. She's the hat and head wear designer all the toney editors go to when they need something really chic. This stunner is a hybrid of veil and hat. God, when its done right its right on.

THE MANTILLA

By bridechic · September 4, 2009 · 0 Comments · 1,457 Views

 

Recently a client came to me wanting a mantilla not because she was getting married but going through the ritual of converting to Catholicism. Once she walked into my studio with the imported laces she'd just purchased and we discussed her design in greater depth, I realized this is one headpiece that evolved from a truly remarkable history worth posting about.
The mantilla originated in the warmer climates of Spain circa 1700. Lace versions were chic through the 17th and 18th centuries and you can find them in portraits by Velazquez and Goya. By the 19th nineteenth century, Queen Isabel II encouraged wearing the mantilla. However, after her death the fashion for wearing them died down as well and by 1900 mantillas were the head chic reserved only for special events like Holy week, wedding and funerals.
Defined, the mantilla is usually cut on a circle of lace or tulle and bordered with lace trim around the edges. The traditional mantilla, originating as the Spanish mantilla, is oval shaped and worn at the top of the head, held onto the head with pins or attached to a head piece.

 

source
Here's a great example of a classic mantilla. This is one headpiece that always seems to be a hot item with the royals. Princess Mary chose a mantilla veil when she married Prince Frederik of Denmark in 2004.

source
There are a few ways of wearing a mantilla. Because this veil lacks density, you can fold it over into a layer and tack it to the back of a bun. You can also literally drop it atop your head and wear it over the face or further back with or without a headpiece. Plastic or metal combs sewn to the center can secure the veil in place. How about an alternative to a traditional mantilla? Try a mock mantilla veil, which has low dense gathers and is cut into one or two tiers. Lace is then added to the edges. A cascading mantilla is another option and has a top layer worn over the face. For a really extraordinary effect, Alencon, Chantilly or Venise lace can be hand beaded.


Iris D Bridal
A cathedral length veil tacked to the back of a bun. The extension of this veil acts as a train for a truly royal procession.




Pronovias
. . . Worn over the face . . .


Pronovias

Phillipa Lepley

FLOWER GIRL POWER

By bridechic · September 3, 2009 · 0 Comments · 11 Views

Here's one of my top picks for designers of flower girl dresses. Shelly George has an extensive range of fabric and color options hard to find elsewhere. I love the way fabrics like tulle, organzas and soft taffetas are used here to bunt skirts, layer and accent. Here it is in her own words: "I wanted the focus of this dress to really be on these adorable little grosgrain bows floating on the tulle, so everything else is very simple. A jewel neck, sleeveless arms and a gathered sash with no bow". --Shelley George--






FLOWER GIRL POWER

By bridechic · September 3, 2009 · 0 Comments · 11 Views
Here's one of my top picks for designers of flower girl dresses. Shelly George has an extensive range of fabric and color options hard to find elsewhere. I love the way fabrics like tulle, organzas and soft taffetas are used here to bunt skirts, layer and accent. Here it is in her own words: "I wanted the focus of this dress to really be on these adorable little grosgrain bows floating on the tulle, so everything else is very simple. A jewel neck, sleeveless arms and a gathered sash with no bow". --Shelley George--




STALKING THE LOOK BOOKS: STEPHEN JONES

By bridechic · September 2, 2009 · 0 Comments · 19 Views
Browsing (okay, stalking) Brides UK never dissapoints. When it comes to hats Stephen Jones has a real edge on the contemporary but with just a little more.
Hat-Wearing Tips From Stephen Jones
The world-class milliner gives expert view on how to wear hats, whether you're a guest or the bride. Above: On bridal headpieces: “It’s very important that what you wear goes with the dress. So if you are wearing something which is a little bit more tailored obviously a hat is probably going to be better than a full-on veil.”


On making a statement: "I have just been working on Dior Couture, and some of the big dresses that they have been doing, we put a big hat with too. A big dress with an equally extravagant hat looks incredibly romantic, really sweet."

On bridal headpieces: “Most people automatically think of having a tiara or a veil, and while that does look gorgeous I think a big hat is great as it is quite striking and so unexpected!”


On his favorite bridal look: “I think Princess Margaret looked amazing when she got married in a sculptural white dress which she looked fantastic in! I have to say my mum too – she got married during the war wearing a borrowed dress. Nobody had any money she couldn’t afford to have a dress – a dress had to do twenty weddings. And she has always been really embarrassed by it but I think she looked great in it!”

All images courtesy of Brides UK

FALL HAIR PREVIEW

By bridechic · September 1, 2009 · 0 Comments · 21 Views
photo by digital She/ Sweet Light Studios

A few ideas here to get you excited about Fall hair. Chic and dramatic, all the make up and hair styling here was were done by the very talented Bay Area artist, Christal Saville. Christal is one of Northern California's primo Makeup artists and Hair stylists choice for agencies such as Look, Stars, Ford, and JE Models. Christal enjoys doing weddings as much as she does editorials. Her most recent work deals with being a professional makeup instructor at the Makeup Institute of San Francisco, CA. Her specialties are bridal, photography and air-brush makeup. She's traveled and taught state-of-the-art makeup application at Hair and Skin Conventions across the country.


Len Cook







KG Photography (Photographer)

Christal Saville
Hair Stylist




Laura Tillinghast Photo (Photographer)
Artistry By Christal (Makeup Artist)
Milz (Model)



An editorial on Christal's work along with the best of my headpieces is on the Fashion Watch Bridal Editorial coming soon to my sidebar. Here's a sneek peek.

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IT'S HERE

Preview
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Meet Chic, Bride Chic's new sister blog showcasing off the beaten path fashion and the women who wear it . . .

http://inthechic1.blogspot.com/

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DISCLAIMER

Please note some images on Bride Chic are photos from previous shoots and editorials of my collection pieces. Since I do admire other designers work, I’ve also added from online sources to share a different perspective. There’s no profit from the display of these photos -- they are being shown for the informational and educational benefit of brides and aficionados of bridal fashion. I always list my source, providing a link back. If you feel an image here violates your intellectual property and/or copyrights, please email your concerns to me (amyjotatum@gmail.com) and I will gladly remove the photos in question. Thank you!

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